Editor's Notes #27: Hooked On a Feeling

Writing fiction is all about plucking at people's emotional strings, whether you're aiming for tender feelings, indignation, laughter, fear, or any number of the bajillions of things that encompass the spectrum of emotions.

How do you get people to feel what you want them to feel? I've gotten steaming mad at a character's stupidity or self-centeredness. I've also laughed along with a protagonist who happens to be a serial killer. [Only semi-related side note: if you've never read anything by Tim Dorsey, you're missing out on an absolutely entertaining killer named Serge and his sidekick, Coleman, as they enjoy everything Florida has to offer. "Quirky" is not quite the word for it. I came across the "why dead people show up in later books" section of Dorsey's site, and couldn't believe how many more books he's released since I last picked one of his off the library shelves. And now, back to our regularly scheduled program . . .]

The classic "show, don't tell" is one way of getting those emotions across. Think about it: if you're telling someone about a traumatic event that happened to you, they're going to respond in a completely different way depending on whether you're listing "this happened, and then this happened," or whether you're trembling and fighting back tears as you struggle to choke out the words. Why would writing a scene be any different? Show how a character is physically dealing with things, and you're on your way.

With a sympathetic character, you can create a sort of bond between the character and the reader, so there's a bit of investment there. This can be brought about in a funny way, like how you just can't help but root for Tuck Watley (Tuck Watley: Freedom Fighter Fighter by Brandon Meyers and Bryan Pedas) because he's just so . . . well, he's indescribable, but trust me, you're rooting for him for the sheer entertainment value. Or you can root for the underdog who's been screwed over way too many times, because everyone's been treated or judged unfairly at least once in their life. Or maybe you can even root for Nick or Kevin from S.K. Anthony's series, The Luminaries, because they're incredibly sexy, yet intelligent good guys who are also some of the baddest guys around. Whatever tugs at you will pull you in if it's done well.

You could also create a character who is NOT sympathetic, and make the reader hate him. The emotion is still a strong one, and they'll not forget him easily. However, take care to not make him unlikable in every way—I edited a book once where a character was such an absolute jerk that I couldn't stand him . . . and he was supposed to be one of the protagonists. I ended up telling the author that I didn't even care what happened to him and would not want to keep reading if I had bought the book. Fun fact: turns out this particular author (who I knew was actually a skilled writer) had cowritten that particular book and was not happy with the other person's contributions (that awful character being one of them). All that was needed was a neutral voice (mine) to allow the author the necessary backup to break ties with the other writer and redo the book completely.

Letting your emotions into the writing can be an odd thing. If your character is insane, I'd imagine it's a tough call for exactly how crazy to write him. Will people think he's over-the-top freaky? Will they think you're like that in real life, and that's how you write crazy so well? Will they think you're wimpy if you're a guy who writes a really tender scene? Do writers even care if anyone thinks they're writing from experience? I need to know these things.

Have you ever written anything really strange and wondered what someone would think of YOU after reading it, even though it was fiction?

What Better Diversion Than a LEGO Project?

Today's post sneaked up on me. I even have a draft of what I'd planned to talk about, and apparently I never got back to it . . . and it didn't magically write itself.

So instead, I'm going to toss out something fun that has (almost) nothing to do with grammar rules and editing, but will provide endless hours of fun.

When Bricks Get Their Wings Kickstarter project

My good friend/sibling/partner in crime, Stephen Fender, is working on yet another new project, so of course, being the incredible backhaver that I am, I'm going to tell you all about it.

A departure from Stephen's Kestrel Saga space opera books, his Star Trek fan fiction projects, and his current stand-alone space sci-fi novel Master of the Void (a retelling of 20,000 Leagues Under the Sea to be released in spring of 2017), this project is geared toward kids and adults alike.

When Bricks Get Their Wings is the newest Kickstarter from this guy, and I'll just post the link here and let you check it out for yourself. It's part building brick project, part storybook and all enjoyment.

Unlike other franchises, the LEGO company seems to be amenable (and realistic) about their customers and fans in general. They have clear guidelines about what can and can't be done when creating things that involve their products, and are happy to allow others a little piece of the pie, so to speak.

Check it out and see if this sounds like something you'd like to support, or share it with someone who would enjoy it.

I'll see you all in a couple weeks!

Coffee Chat 22.0 with S.K. Anthony: Editing with Style

Good morning, everyone! I'm finally up early enough to make the coffee before SK gets here. She's usually so early that it feels weird to come down the stairs into a dark living room. [Trips over rug.] That's weird; I don't normally have a rug right there . . . 

[Music suddenly begins to play as colored lights turn on, aimed at a—] Is that a disco ball in my living room? And why am I standing on a long red carpet?

SK: Good morning, Lynda! When I was stalking your blog, I couldn't help but catch your Editor's Notes about Style Sheep, so I decided to bring him here for you to meet. He even graciously agreed to put on a fashion show just for you! [Grins.] 

ER: Well, he certainly is . . . um . . . stylish. I can't say as I've ever seen a sheep with a nicer scarf than I own. And that hat!

SK: Cute! Right?

ER: Uh, yeah. Except I think you may have misunderstood me. I use a style SHEET when I edit. You know, a document that has all the pertinent information about a manuscript. A notebook. A bunch of paper. A Word file. A—

SK: Nonsense! I read between the lines and understood as bright as a star: the style sheep is your first go-to when you start editing. Why is it, though? You dress to match? Like each MS gets a specific outfit that inspires editing?

ER: Really, there is no "between the lines." I really do use words on paper. You know, like a character's name, hair color, job, physical description, quirks . . . 

SK: Well, yeah. I mean of course you'll need to know their name, hair colors, and physical description if you want to dress appropriately to edit them. I so get it. But can you just watch Mr. Style Sheep walk down the carpet now so we can go have coffee?

ER: [Sighs heavily.] All right, get that sheep to walk down the red carpet and get him out of my house. What's up with the animals inside the house? You're freaking out AndyAndy on a regular basis. And now he'll probably want a hat and scarf, too. And for goodness' sake, get the lights and disco ball turned off before Tim comes downstairs . . . can the sheep walk any faster? I don't care if he's trained to take his time and preen for the cameras. [Prods sheep with toe.] Move it, mister.

SK: AndyAndy is in on it; he just frets to you so you can scratch his back. Aww, look at Style Sheep go. Good thing the carpet goes straight out the door. And now COFFEE!

I didn't make or bring anything this time, I hope you have some goodies for us. [Looks around kitchen.] So tell me, when you're editing, it's like Superman isn't it? A secret that isn't so secret identity but can only be done with the cape—or whatever—on?

ER: I don't know how to convince you, but I'll say it again: I have no super-duper secrets when I'm editing. I'm not Superman, wearing a cape. I'm just plain Lynda. I sit down with my laptop and my Chicago Manual of Style, and I write things as I read them. I see a name? I write it. Is he tall? Dark hair? Of course all the best characters have dark hair, right? I write it. Later in the book, if there's a squiggle under that person's name, I check to see if it's really a misspelling or if Word just doesn't recognize it. If an author tells me she doesn't like semicolons, I note that. If he loves adverbs exceedingly much and I think he needs to ditch them, I'll note the ones used most often and count them.

SK: Oh yes, dark hair! [Stares into space.]

Ahem, anyway . . . I almost believed that! You said it with such a straight face, too. Oh man, you're so good! I get it, though. We shouldn't be publicly sharing your editing secrets. [Winks at Lynda.] But since the sheep is out of the bag and we've already officially acknowledge the outfits—

ER: We haven’t acknowledged any—

SK: Can you tell me what this one is about?

ER: Oh. That was when I was working on Kinetic. What's so odd about that? And where did you find it? I was at Wal Mart, shopping for more Red Pens of Doom.

SK: [Frowns.] I don't get it. It's 'cause you're both superheroes? 'Cause I mean, Annie doesn't wear a crown or a one piece swimsuit. And what about this one? 

ER: Uh . . . that was when I was working on The Devil’s Hour. I’m not sure what you’re getting at—

SK: And THIS?

ER: [Looks sheepish.] That’s my Kestrel Saga outfit. It has . . . um . . . a voice-changer . . . and I can make the bad guys sound scarier if I read the text aloud. [Blushes.] Gosh, I guess I never thought about it. I really do dress for success when I edit. AndyAndy doesn't even look scared. The Style Sheep knows where it’s at.

SK: Dressing for success is half the battle. I mean look at me; that’s why I’m naked.

ER: You’re not . . . undressed. And why—

SK: Well, under my clothes I am. I’m just trying to channel my ol’ pal Ernest Hemingway. He wrote naked and made it big! Fake it 'till I make it and all that. [Shrugs.]

Are you sure you want me to take the disco ball with me? Don’t you need lighting when you’re editing?

ER: . . . 

As always:

You can find S.K. Anthony in a number of places. She's one of the founders of Writers After Dark. She's on Twitter @SKathAnthony or @WritersAfterDrk, her website is www.skanthony.com, her Facebook page is S Katherine Anthony, and on occasional occasions, she'll be right here with me, drinking coffee and laughing it up over our latest plans and schemes. And possibly even talking about books and writing. 

You can find me here. I'm always here. 

[Note from March 2019: I'm not always here anymore. Now you can find me at easyreaderediting.com with my blog and editing services.]

Coffee Chat 18.0 with S.K. Anthony and Stephen Fender

During today's Coffee Chat we'll be discussing—what is that smell? I could swear I smell blueberries . . . [Enters the kitchen to find S.K. pulling some yummy-smelling things out of the oven.] Scones? And are those . . . bannocks? What's up with the Scottish treats? I thought we were having cinnamon rolls today.

SKA: Oh, Lynda! You’re so cute. It’s okay to try different things once in a while you know—and today I felt Scottish! I’m so excited it’s my first time making bannocks; I burnt the first three sets but I think I finally got it now. By the way, you’re all out of oats.

ER: I suppose I should be grateful we're not having haggis, right?

SKA: [Looks over Lynda’s shoulder to see through the window.] Uh huh, sure. I can try to make you haggis. Sorry, I mean no. No haggis. Whatever. Umm, why don’t you let AndyAndy outside to play with Live Bacon? Go, go! Open the door. [Grins.]

ER: C'mon, AndyAndy. [Looks outside.] S.K., is it Girl Scout cookie season again already? There's a really tall Girl Scout down the street, walking our way. I mean, really tall.

SKA: No, that’s just Stephen! I told him to come over for Coffee Chat so we can discuss his new release.

ER: But why is he—is he wearing a—?

SKA: Well, because you like kilts, and he’s gullible. I told him first time guests must wear them and he agreed. It was so easy! I can’t believe we never tried that before. Never mind that I usually end up kidnapping our guests, he came willingly and look at them legs—miles and miles. Ahem, I think we should make our coffee Irish.

ER: I'm starting to think we'll have to. I hope he doesn't talk to any of our past guests, because they'll blow it about the kilt thing. Best to keep him sequestered. [Looks back out the door.] He's almost here. I hope I don't have a tough time acting casual about it. I LOVE kilts!

SKA: I know! We'll tell him it's against the rules to mingle with past guests. Oooh, here he comes. Play it cool, Lynda. [Waves casually as Stephen walks up to the door.] Hi, Stephen!

SF: Can I come in? It's a little breezy out here.

ER: Hey, Stephen! Welcome to my—and sort of S.K.'s—home. Um . . . I was actually thinking it might be a great day to have our Coffee Chat outside. Wasn't I just saying that, S.K.?

SKA: Ooh [winks at Lynda] yes! That's better than sitting inside where we had everything set up.

SF: [Pulls kilt down to cover his knees, then looks around worriedly.] Are you sure? Someone might . . . see me.

SKA: Well, if you'll let your guard down, we can stay inside.

SF: Yay. Sounds GRRREEAAAT.

ER: [Sighs heavily.] Yeah, come on in. So as usual, I didn't realize we were having guests [shoots a glare at S.K.] but this is pretty cool that you're here, since I was going to tell her all about the fourth Kestrel book.

And the kilt is just a bonus. [Clears throat.] What I mean to say is, I'm glad you're following the first-time guest rule about wearing one.

SF: So I can't change into pants yet?

SKA: That's neither here nor there. How does it feel to have your fourth Kestrel book out?

SF: It feels great, bordering on spectacular. It's nice to be back with my old Kestrel Saga friends.

SKA: I hope you were kind to them. The title In the Presence of My Enemies has my heart racing for Shawn and Melissa. With the crazy adventure they're on, every bit of luck they can get—courtesy of you—will be greatly appreciated by us fans. What can you tell us about this part of their journey? Give us a teaser!

SF: In the words of George Takei: "Oh myyy!"

After the battle with the Meltranians above Second Earth (at the end of the novel of the same name), our heroes find themselves nose to nose with Kafarans, their once-hated enemies, who are now presumably fighting alongside the intrepid Sector Command fleet.

The new novel takes off right from that point.

A band of high-ranking officials come on board the current Sector Command flagship, the Rhea, and inform the crew that a cease-fire agreement has been reached with the Kafarans, and they are now considered a "temporary" ally in what is assumed will be a war against their common foe, the merciless Meltranians.

However, their combined forces will still fall short of an assured victory. They need one more ally in their cause, and it's one Shawn has extreme reservations about. He, along with a small team, sets out on a diplomatic mission to recruit a band of cutthroat pirates into the upcoming campaign.

However, things go sideways rather quickly, and the team members soon find themselves in over their heads. 

ER: Normally I would think "great, bordering on spectacular" is just hype, but I really thought it was great, too. There was more action, more tension, more places, new characters, a serious death—all that good stuff. As an editor, it felt good for me to be back on familiar ground with characters I know; I'm betting the Kestrel Saga fans are just as eager to get back to it as well.

SF: I hope they are. I think this is the best one yet. 

SKA: Hmm, I've been observing you—no reason—

ER: Uh huh, me too—also for no reason—

SKA: —and I've come to the realization that you're a man of few words. I really hope it has nothing to do with my scones.

Anyway, how do you find inspiration to put down thousands of words into a book? Do you draw from real life? Like, did you physically have to fight against Kafarans and Meltranians? Or is it just a love for sci-fi or . . . well, what is it?

SF: It's all of those things, really. Writing is like playing a board game designed for six, but you're only playing against yourself. You have a lot of roles to fill, and everybody has to want to win for their own reasons. I have to fight against myself all the time, and the only edge I have is ultimately I know who is supposed to win.

SKA: I love that! A game of multiple players but we play only against ourselves. Very true.

ER: I guess I never thought about a writer having to "be" each character—with each one wanting to win, of course, or survive at the very least.

SF: Of course, there is a deep love of science fiction in there. Also a deep understanding of the dynamics of a good space opera. 

ER: [To S.K.] I’ve been the recipient of the “it’s a space opera, not a space infomercial” speech. Trust me, the man knows and loves his science fiction.

SKA: So tell us, is there a favorite scene, aspect, or approach you had while writing In the Presence of My Enemies? Something that might have been different from the previous three books in the Kestrel Saga?

SF: There's an aspect—well, more of a revelation—that in order to overcome the impossible, you sometimes have to let things go.

You can't climb Everest with 300 pounds of gear. You've got to keep what's important and drop the rest. That goes doubly for emotional baggage. 

ER: We can talk about your emotional baggage after we've enjoyed more of S.K.'s "special blend" coffee. But that other baggage . . . do you always know ahead of time what's important, or does the list of "keepers" morph a bit as the story unfolds? 

SF: Baggage is important to back story. You can convey a lot with just a little bitterness about something that happened "in the past." It's also a good goal for your characters to get over. It shows growth, and no reader wants to read characters over a long arc that never grow beyond the first few pages of book one.

SKA: Yes! For good character arcs, they need to have baggage, and in order to grow they need to drop it . . . like it's hot. Mount Everest isn't for the faint of heart, after all.

ER: I like when baggage is hinted at, rather than spoon-fed to the reader. One of the things I like best in the Kestrel books is that the characters aren't growing and changing so quickly that it's unrealistic. It feels a lot more natural this way—a gradual change, just like in real life.

I know you're an outline-maker, Stephen, so I guess my next question deals with wanting to know how closely you stick to it. Do your characters surprise you?

SF: I love outlines, and I love diverging from them. It's hard to begin to write without a blueprint, but I give my brain plenty of freedom to go beyond the foundation. So yes, my characters often surprise me. 

SKA: So what can we expect from you in the future? What are your current projects?

SF: Well, I've got Kestrel Saga Book 5 in the works, which I'm really excited about. I've also got something of a wacky sci-fi space comedy on the drawing boards.

ER: That makes me want to watch Spaceballs.

I'm pretty sure I'll be begging you for snippets of Book 5, probably even before we let you leave today. No matter that you haven't written them yet. I think the sign of a great writer is that you can do these things off the cuff for special friends who feed you scones and great coffee. Just start talking and we'll type it all up for you. It will actually make your job easier, if you think about it.

SF: Well, I don't know about snippets, but I can tell you that Book 5 will tie directly into events that took place in Origins: Traitor Winds.

I can also tell you that Book 5 will feature some courtroom drama, with one of our heroes taking a fall.

ER: Oooooh! If that's what you can tell me, I can't wait to hear what you can't tell me.

Oh. Wait a minute.

SF: I can't tell you what the cover is going to look like, but I can tell you the working title is World Killers.

ER: Nice title! Sigh . . . the cover . . . am I going to be on this one? I think it's pretty selfish of you to always have your own photograph on those things. 

SF: If you connect all the letter e's on page 178, it makes a picture . . . of something.

ER: I can hardly wait! I'll have to write down the page number so I don't forget.

SF: It's representative of an abstract version of a flux capacitor. Which, of course, makes time travel possible.

ER: You artists. If it's "abstract" that only means I can't argue with you that it doesn't look like what it's supposed to look like. And I’m not entirely sure what time travel has to do with my picture being on your covers.

SKA: It’s an abstract connection, Lynda. And now another Coffee Chat rule: you must absolutely share a line from the book with us. A favorite one, obviously . . . and GO!

SF: [Laughs.] How am I supposed to pick ONE line? There are thousands of them, and all are amazing.

ER: Mine was "It was the best of times, it was the worst of times . . ."

SKA: For me it was "It was a dark and stormy night . . ."

ER: But enough about the books we’ve written. What about yours? A favorite line, please.

SF: If I were to choose a favorite line or verse, it would have to be this one. It was written as an epigraph, and is a quote from the President of the Unified Collaboration of Systems on the eve of declaring war against their new enemies:

“The skin of evil has no one color; the voice has no one pitch. Its origins have no set date, nor was it born in any one particular place or have one ultimate destination in mind. But it has an agenda, it has an unquenchable hunger, and it lives and breathes on the sufferings of others . . . and it must be stopped, even if it’s the last thing we do. Nothing short of the continuation of our very way of life depends upon it.”

ER: Also a favorite of mine from the book! Readers can see these and a whole lot of other great passages by going to Amazon and checking out Stephen's newest book, In the Presence of My Enemies, Book 4 of the Kestrel Saga.

Head on over to Stephen's website to find out about his other books, or the latest sci-fi project he's supporting.

[An hour later, all coffee gone, waving and watching as Stephen walks back down the driveway . . .]

ER: [Puts down binoculars.] So do you think he'll fall for the "second-time guests wear swimsuits" line?

SKA: I dunno. Guess we'll have to invite him again someday.

As always:

You can find S.K. Anthony in a number of places. She's on Twitter @SKathAnthony, her website is www.skanthony.com, her Facebook page is S Katherine Anthony, and on occasional occasions, she'll be right here with me, drinking coffee and laughing it up over our latest plans and schemes. And possibly even talking about books and writing. 

You can find me here. I'm always here. 

Author Interview with Stephen Fender

Believe it or not, this is still my blog; I just happen to have a lot to say about Stephen Fender lately. Contrary to rumor, he has not instigated a hostile (or friendly) takeover. He has his own blog, and it's nicer than mine, so if anyone is going to seize anything, I'm going over there and taking his, as soon as I figure out how to change the photo of him to a photo of me. But that's not why I've brought you here today.

Today, I'm happy to tell you a little more about Stephen Fender. Stephen is the author of The Kestrel Saga, a space military science fiction series, and has published three books in the series so far: The Army of Light, Icarus, and now Second Earth, which was released on December 1st. All are available through Amazon, in print form as well as electronic.

ER: Give us a brief rundown of the series.
SF: To be brief, the series follows Shawn Kestrel as he searches for his former commanding officer, Admiral William Graves. Along for the ride is William's beautiful but enigmatic daughter, Melissa. In the process of finding the whereabouts of William, Shawn and Melissa stumble upon a well-guarded secret the government has been trying desperately to keep under wraps.

ER: Tell us a little bit about when you caught the writing bug.
SF: I think it started when I joined the journalism staff for my high school newspaper. When I was offered the opinion page, I don't think I ever looked back.

ER: As a child, did you have a favorite book or genre, and did that influence your writing today?
SF: I've been a big fan of science fiction since I was a small boy. Growing up with amazing shows like Star Trek, Doctor Who, and The Twilight Zone, I was always enamored with other worlds and alien points of view.

ER: What cemented your decision to publish? Was it a natural progression for you, a life-altering Big Deal, or did you flip a coin?
SF: Well, I think it was from the family and friends' reviews of my work. The old "Hey, you should put this out there. I think people will buy it."  I recall being nervous about putting it out there, but considering I'd already pseudo-published some fan fiction work a few years earlier, I was only a bit hesitant. I think once I started getting positive reviews, it cemented the fact that I would continue to publish this series.

ER: So, the pseudo-published fan fiction . . . have you ever entertained the idea of going back and rewriting that someday, or do you just consider it to have been good practice?
SF: As far as the fan fiction is concerned, I found myself going back to it a few weeks ago. It'd been over a year since I'd done anything with that, and it was fun to get back into it. It was a lot like re-watching your favorite TV show from when you were a child. It's still on my plate, as I had committed myself to writing a series of four novels. Book 3 is halfway done, so I may finish it at some point. As far as practice, I found that it was extremely helpful. I'd recommend it [fan fic] to anyone who wants to pursue writing as a career. It's a good way to break your personal ice, considering you probably know enough about the established story to create your own interpretation.

ER: What type of atmosphere do you prefer when writing? Do you need peace and quiet? An empty house?
SF: When it comes to atmosphere, I've found that I can write just about anywhere. The first three novels of The Kestrel Saga were written while I commuted on a ferry to and from work. It's much like trying to write a novel while riding a city bus. You get the screaming children, the people who talk entirely too loud on their cell phones, and the rowdy football fans heading to and from the stadium. If you can write in a place like that, I'd think you can write anywhere. Lately I've been looking for more solitude, but since it's fleeting, I shrug it off and write wherever I can find the time.

ER: Do you play the Star Trek theme song when you're writing battle scenes? And do you have a playlist (mental or physical) that helps to put you in the right frame of mind for writing?
SF: I don't have a playlist in my mind—a musical one, anyway. I tend to think of epic scenes from movies, like the battle scenes in The Last of the Mohicans.

[ER pauses for two hours to run off and watch The Last of the Mohicans before continuing to type.]

SF: If I need to draw inspiration in the form of banter, I tend to think of movies like Lethal Weapon. Basically, the concept of every scene in my book has been played out in a movie somewhere. I think it's that way for almost anyone who writes a book, whether they know it or not. I draw upon the creations of others, sort of like standing on the shoulders of giants, and inject my own story into memorable scenes from various motion pictures.

ER: Have you ever had a terrific scene in your head with no possible way to adequately describe it so others can "see" it as you do?
SF: I don't think I've ever not been able to describe a scene to my readers. Sometimes I can falter on specific details of my own imagination, however. Usually it's like, "I know what I want to describe, but it hasn't been invented yet. How do I cross that bridge? I'm not an engineer or a designer." That's usually when I turn to Internet research. Chances are, someone has gotten close to what I want in the form of artwork. I blend their image with my imagination, and the scene is born.

ER: Who is the first person to ever read your work? Were you nervous about having someone read it in case they hated it, or did you choose someone safe who would be supportive no matter what?
SF: My wife has always been my first reader. She's my sounding board. Since she knows me, then I trust that she knows where I'm coming from in relation to certain scenes or characters. Her honesty, while sometimes brutal, is gloriously helpful.

ER: Do you use beta readers, and if so, how did you find people whose opinion you'd trust?
SF: The only beta readers I've gotten so far are family and the very closest of friends. I trust their opinions implicitly. Having said that, now that more of my work is out there and I have a fan base, I may begin to pull from my own readers for upcoming titles . . . if they're interested.

ER: How many times would you estimate you end up reading through your manuscript before you decide it's as good as you're going to get it on your own?
SF: I give it at least two reads before I make my editor suffer through all my missed mistakes.

ER: When people find out you're an author, do they treat you differently? Ask what your "real" job is? Fawn over you and ask for free books? Try to sell you their "sure thing" idea for your next book?
SF: When I tell people I'm an author, they have always assumed it's my primary job. Their next question is, "What have you written?" which is followed by, "Can I get it on Amazon?"

ER: Has anyone you know ever seen themselves in one of your characters, and been flattered (or accused you of maligning their character)?
SF: I'm not sure if people can see parts of themselves. At least, they've never told me so. I would hope that they do, if even just a little. As far as my characters are concerned, I've already put people I know in my novels; they just don't know it.

ER: Has self-publishing been a big learning curve for you, or fairly simple?
SF: Self-publishing has definitely been a learning curve. I'm constantly learning something new about owning my own business. 

ER: Where do you see your writing headed? I know you have a few books in the works right now, so this would be the place to get us psyched about those.
SF: I have a new novel planned which falls outside of this series. It deals with an alternate version of history and the events leading up to World War II. I'm hoping to have it done by mid-2014, but we'll see. I've also got a few more novels planned for The Kestrel Saga, both in terms of continuing the story as well as a few prequel-types.

ER: Do you have plans for novels outside your favorite genre, or does it all keep coming back to science fiction for you? 
SF: I don't plan on going outside of science fiction at this point. It's what I love to write. 

ER: What's the one question you wish an interviewer would ask, but they never do?
SF: Most interviewers never ask about my hobbies outside of writing. I have a few, but I can't currently think of them without placing them in some sort of science fiction setting. 

ER: Do you ever wish your editor would go back to calling you Mr. Fender and finally give you the respect you deserve?
SF: I like my editor just the way she is, and I'm glad she's still calling me anything . . . just as long as she keeps calling. 

You can find Stephen Fender at his website: www.StephenFender.com
He's also on Twitter @StephenAFender
Facebook: https://www.facebook.com/pages/Stephen-Fender/144771018947485?ref=br_tf
Goodreads: https://www.goodreads.com/author/show/7122975.Stephen_A_Fender
Amazon author page: http://amzn.com/e/B00E9X1CNS

Free Book + Honest Review = Another Free Book

Author Stephen Fender is offering a great deal for those who have not yet read the first two of his military space science fiction novels in The Kestrel Saga. First, let me tell you why you want to take advantage of this (it's my blog, after all—not his) and then we'll get back to the Fabulous Mr. Fender.

FIrst of all, I can't stress the importance of leaving a review after finishing a book. Although technically, reviews are for the benefit of future readers, they also help indie authors in many ways.

Self-publishing gives a lot of freedom for authors in the form of creative rights, editing options, cover design, and more. However, the downside to having all that freedom comes in the form of self-promotion.

If you're an author who's been fortunate enough to work with a publishing house, the publishers do the promoting for you. I'm sure the author doesn't sit back and wait for the big bucks to come rolling in, but face it: the big-name publishers have connections and know how to use them. This adds up to lots of exposure in very visible places.

Indie authors not only write the book, but they scrape up the money for an editor. They are then expected to format the book themselves, and either design their own cover or hire an artist to design one. By the time the book is ready to launch, the hard part is just getting started: making people see it.

With thousands of new books released each month, I'm amazed anyone gets noticed amid the sheer volume. There are promoters out there who, for a price, will get your book synopsis (and perhaps an interview) posted on a variety of blogs. Good stuff, all of it, but once again, the average reader may still not run into these sites unless they're already immersed in all things bibliophilic. What does the average book purchaser look at?

Amazon. Smashwords. Goodreads. Nook.

Yep, they look at reviews. An indie author can be selling thousands of books, but if there are only a handful of reviews posted for each title, a purchaser may hesitate to try out an unfamiliar name.

So here's the fun deal (since, when all is said and done, Stephen Fender is a fun guy):

Contact Mr. Fender through his website, www.stephenfender.com on his "About" page and he'll provide you with a copy of the first Kestrel book, The Army of Light, free of charge in exchange for an honest review. You can post your review on Amazon or Goodreads (or both), and he'll provide the second book, Icarus, with the same deal. Free book for honest review. If you haven't read either of them, you have the opportunity to read them at no cost to you. If you've read the first one and haven't left a review, do it. Then get the second one free and review it, too.

And that's not all! Stephen Fender will send you a primo set of Ginsu knives—

No, wait. He won't do that. BUT if you, the reader, post reviews for both books prior to December 15, he will provide you with an early (and—yes—FREE) copy of Second Earth, the third installment in the series. There is pretty much no way you're going to get the short end of this deal. I've read all three (multiple times, in fact) and I can tell you in all honesty that I'm already anxiously awaiting the next one, because I've enjoyed Shawn Kestrel's world so much. (See my earlier post that tells a little bit about Mr. Kestrel.)

Good deal? Good deal. Go get 'em.

Literally.

Celebrating Stephen Fender's New Release

**UPDATE: Stephen surprised us by releasing the books early! What a wonderful treat. Read on to find out why you want them . . .

If you've read Stephen Fender's The Army of Light (Kestrel Saga), the announcement of the release of its follow-up, Icarus, should make you pretty happy.

For those of you who haven't yet discovered Fender's books (ranked #2 on Amazon in the category of Science Fiction: Space Opera), you're in for a treat. Not only is Icarus scheduled for release in all formats at the end of September, but The Army of Light will now be available in hardcover, upgraded inside and out, as part of the celebration.

The basics:
Shawn Kestrel is ex-military—a former fighter pilot whose current goal in life is to deliver his interstellar cargo without getting shot at, robbed by pirates, or threatened by sleazy arms dealers. Oh, and it would be wonderful if his ship didn't need so many repairs, since repairs need spare parts, parts cost money, and money isn't forthcoming when shipments are stolen.

Of course his semi-peaceful existence is shattered by a woman. (Isn't every man's?) Not just any woman, though: Melissa Graves, the daughter of his former commanding officer, arrives out of the blue, seeking Kestrel's help to find her missing father and to find out whether the Kafarans really are active and threatening war again.

I love the interplay between all the characters: Kestrel and Graves remind me of Cybill Shepherd and Bruce Willis' characters on the old TV show, Moonlighting. She's uptight and bossy, and he's a smart aleck who, though not a strict rule-follower, nevertheless is a good man. I'm pretty sure I'd enjoy hanging out with him. Side characters like Kestrel's mechanic are enjoyable, and all the characters are written with depth and personality. The dialogue flows very naturally and never feels stilted.

Icarus picks up right where The Army of Light leaves off—only hours later, in fact—and just keeps rolling right along. Shawn's life takes an interesting turn as he's recruited back into Sector Command and placed as the head of an elite squadron of starfighters, just as the crew discovers the remainder of a ship from Sector Command's missing fleet.

You'll have to read the rest for yourself, because my description can't possibly do justice to all the good guys, bad guys, space fights, fist fights, eye rolling, witty banter, explosions and aliens.

Find Stephen Fender on his website, www.stephenfender.com; on Lulu.com; on Facebook; or on Amazon to get these great books for yourself.