Here’s the thing: I never know what kinds of adventures S.K.
[Hears a knock at the kitchen door.] Yay! I’ll bet they’re here!
[Opens door to find Raymond, holding a dripping wet S.K. by the hood of her sweatshirt. The look on his face is
Um
SKA: Or a blanket
RE: Hi, Lynda. Sorry we are
ER: I guess the important part is that you're here now. [To S.K.] Why didn't you just go in the garage when the sprinklers started? You could have stayed dry.
SKA: Are you insane, Lynda? I’m not going in there! Didn’t you read what happens in The Devil’s Hour in the garage? I don’t trust it
[Trembling.] I
ER: Let's reassure you: Raymond, how about showing S.K. what's in the
RE: S.K.
SKA: Demonic clown under my bed? O_O At least it’s not spiders, but
ER: Great. Now I have a permanent houseguest. And thank you, Raymond, for reminding me of the demonic clown
What got you hooked on horror? Can you trace it back to a certain time or event?
RE: It's interesting that as a kid I hated roller coasters, but loved being frightened. My mom was a big horror fan. She took me to see The Omega Man at the drive-in when I was, like, five. Together we consumed every creature feature program on television. I think horror is my drug. In fourth grade I did a shadow box on "The
[Looks around.]
ER: I'd better check on her
SKA: I’m okay, I’m okay! I’ve been hiding by the door trying to
ER: Okay, so let's talk about The Devil's Hour. People always say, "Write what you know." This makes me wonder about you just a little bit. Did you write this book in the bathroom while your friends and family tried to break in and kill you? 'Cause that would leave me with a permanent twitch, and I have to say, you look pretty serene for a horror writer.
RE: I think I do write what I know. Horror is just actual experiences ramped up with imagination. Fictional demons to exercise the real ones from the past . . . in my opinion. As a kid I often barricaded myself in a room while a real-life demon tried to get in to kill me . . . figuratively kill me, of course.
ER: Ahh, yes, the brother who ate the cereal full of ants . . .
RE: My childhood was a great world of imagination and fun, but it was also filled, like many people's, with my fair share of not-so-great experiences. There are as many psychological aspects to my story writing as there are "scary" things because I've always thought that horror is the celebration of human character and strength . . . even when it doesn't end well, it's about standing up.
SKA: Standing up? Sure, I can see that. But I’d rather run to my new bedroom, curl up and hide under my blanket. Speaking of running, originally I would have been all for going after the SUV to get away like they did in the book, but after what happened in the garage . . . I don’t know that I would still try to get the car out; I still have goosebumps.
RE: Well, I think courage is a situational thing. That's what I love about horror—take the worst situation and see which characters rise and which fall. It's a great world for the reader to ask, "What would I do?"
SKA: What was your favorite scene to write, Raymond? Or one of your favorite lines?
RE: I'm going to cheat a bit and say there wasn't one particular scene, but TDH is one part mystery and I really enjoyed weaving in the clues. I'm hoping when the reader gets to the end they go "a-ha."
But the demon under the bed was one of my personal childhood nightmares.
ER: The under-the-bed stuff was the same for me. No matter how hot it was, I couldn't allow my hands or feet to hang off the side of the bed because I knew something would grab me. I also had a fear of the killer bees after I'd read a National Geographic article. I was convinced they were coming up from South America to kill me. I was so happy you didn't have a swarm of killer bees in your book! I would have needed therapy.
Since I got the manuscript in parts, I had a lot of "a-ha" moments because of your excellent clue-weaving abilities. I couldn't wait to reread it for the final proof so I could look at those moments more purposefully.
Speaking of your abilities, I think you have the creep factor down pretty well. No need to work on that. Something you and I talked about during the editing process was the horror aspect of this book and how it was a little different than your other works. Can you elaborate on that?
RE: I remember the "killer bee" scare and the made-for-television movie. It gave me nightmares. And to answer your question, that's what TDH was about: nightmares. I've written a lot of short stories, but to date my novels are zombie/infected related. I really wanted to write a straight-out horror story. Something that would let me talk about all the nightmare stuff that scares me. I wanted it to be one of those books that fits the classic description of horror without relying on blood or guts or slasher-type elements. I'm hoping readers will find at least one thing in it that visits them when they lie in the dark and sleep won't come . . . but I guess that's every horror author's goal.
SKA: Let me assure you, your goal was achieved. I love everything zombies, so I’m probably okay with blood and guts. But the creepiness you have in TDH? That was not expected and I’m pretty sure most readers will agree with me. My skin is still crawling. And the fact that I finished reading at 3:00 a.m. didn’t help matters with me staying awake after reading The Devil’s Hour. What are the odds? Needless to say, I lay in the dark and sleep did not come when I was done . . .
RE: I think the odds are about right—maybe it was a warning. [Laughs.]
ER: Did it end up being therapeutic, or creating more nightmares for you? I'll bet you don't have any happy clown nightlights in your house.
RE: Unfortunately, no, it wasn't therapeutic, because the more I've seen of this country and the more I've learned, the closer I come to believing that maybe these fictional "fears" have some truth. It does seem everything we imagine comes true—like flying, magic potions that cure disease, space travel. So perhaps the monsters are real. Maybe they're just good at hiding . . . until that one time they grow tired of waiting . . . that time you forget to look under the bed or you chance not turning on the light and you reach into the darkness. Maybe I don't have a good imagination, but instead, maybe I just know something that's hard to explain any other way but in stories . . . Okay, I just creeped myself out. See? Horror is an itch but it’s like poison ivy: the more I scratch, the worse it gets.
ER: You're creeping me out, too, and making me want to run, screaming, into S.K.'s new room. You said you were going to bring a movie for us to watch. Pleasepleaseplease let it be something like The Sound of Music or The Princess Bride.
RE: Sure. It's just like those movies. Nothing to fear at all . . . just turn off the lights and have a look.
It begins with a car accident and a mysterious wall of smoke. Something horrific has arrived in Sam Drake's neighborhood—something that will unleash their every nightmare and test the limits of sanity. Sam and his friends must find a way out . . . a way to survive the terrors in the darkness. But every neighborhood has its dark secrets and some nightmares are inescapable . . . when the hour comes.
ER: Not . . . The Princess Bride . . .
You can get your own copy of The Devil's Hour on Smashwords or Amazon. In fact, Raymond has provided a coupon code (WS98R) to get it FREE on Smashwords if you're one of the first 25 people to get there and grab one.
You can find Raymond Esposito on his own blogs, Writing in a Dead World and Nightmirrors. You can also find him on Twitter @Nightmirrors666.
You can find Raymond Esposito on his own blogs, Writing in a Dead World and Nightmirrors. You can also find him on Twitter @Nightmirrors666.
As always:
You can find me here. I'm always here.
