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Showing posts with label book review. Show all posts
Showing posts with label book review. Show all posts
Thursday, March 15, 2018
Should You Be Afraid to Review?
Sounds ridiculous, doesn't it? In the big, wide world of semi-anonymity we call the internet, it seems at times that people are afraid of nothing. Strangers say things online that they'd never say if looking someone in the eye.
It’s tempting to tell people where to get off—especially when they're being obnoxious or unfair. People don't want to debate rationally; they only want to belittle those who don't agree. If you don't believe me, try explaining to a gang of vehement Teachers' Union supporters that all homeschoolers are not, in fact, "inbred, narrow-minded, homophobic hypocrites." Wow. And those were the ones who didn't refer to a variety of body parts and animal acts.
It's not worth my time to argue with strangers who don't want to hear someone else's point of view.
But what if those strangers could affect your real life? Would you still express your honest thoughts?
I’m forever exploring Facebook, Goodreads, Twitter, and writers’ blogs to keep up on the business of writing and editing. A disturbing number of people mention unwarranted attacks by authors who don't agree with someone's review of their book. Apparently, author/reviewer bullying is a pretty big thing.
Since when did an honest opinion become a bad thing? There are tactful ways to say the negative things that need to be said—like when my husband says, "Well, I know you like it and it's comfortable, but it's not the most flattering outfit you own." I'd rather hear that than overhear someone whispering about how awful I look.
In the case of a book review, an author should be prepared for the occasional negative. No one likes to hear that what they've labored over isn't loved by all, but it should at least be expected once in awhile. I've not always used delicate phrasing in a review, but I am prepared to stand by my words if confronted.
I can think of one instance where I ended up wondering if I'd overstepped my bounds, years and years ago. A book I'd edited got two stars from someone who admitted she didn't finish it, it was not her typical genre, and in fact, she didn’t really like that particular genre. So I asked her why she'd bothered to read or review it, when all those factors would never have led to a favorable review. I was polite, I clearly stated that I was the book's editor (which I didn't have to disclose) and wasn't asking so I could jump to the author's defense. I was genuinely curious. The reviewer didn't reply, but another GR person did, accusing me of being unprofessional by telling someone what a review should be, on a book which I "helped to create."
Well, first of all, I didn't create the book. I didn't help to create it. The novel was the author's hard work, not mine. I edited it. As much as I'd love to take credit for a book's success—and I do celebrate with them!—my work is the frosting, not the cake itself. I don't even have to like the books I work with, I suppose; I only have to correct them. So of course I felt that was a moot point. However, the person who criticized me was polite, I responded in kind, and we went our separate ways. I'd intended no harm, she said her piece, and I realized it was probably not my business to ask the original poster anything at all. But I'm curious like that, and now I know that curiosity is not always appreciated. I'm thankful that my post didn't do any damage to the author, but I didn't feel it was right to remove it, either. After all, I said it, and I needed to stand by it.
My point, if I can still get back around to it, is this: if an honest opinion is wanted, then prepare for it to be honest. "Honest" does not always mean "favorable." And if your loyal fans jump to your defense, please make it clear to them that bullying your naysayers is NOT acceptable. I’m incredulous that people can be so vicious to strangers over a book review, methodically stalking them across the social networks. In some of the cases I read, the author and the reviewer blamed each other for attacks that were actually launched by their friends. Once the true culprits were revealed, apologies ensued . . . but the damage was already done.
Most authors genuinely desire honest reviews. Reviews encourage people to purchase a book, and they let authors to know their work is noticed. The relative obscurity provided by the internet should never be used as an excuse to lash out at anyone who doesn't happen to agree with us.
Have you seen or experienced this? Ever found yourself in the middle of an unintentional knock-down-drag-out internet kerfuffle? Tell me all about it and I’ll be sure to give you a heartfelt “there, there.”
Thursday, January 18, 2018
Editor's Notes #41: Best Books on Writing and Editing Part 1—My Thoughts
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Now that the first couple weeks of January are a tired memory of back to work, back to school, back to healthy eating, a wee bit of self-care and readjustment to routine, I'm ready to get things rolling again here. I have a lot of things I'm excited about this year, and one of them deals with my reading life, of course.
As I mentioned in my previous post, I had a few sort-of goals for 2017 that were more in my head than written anywhere, but since I had so few of them, they were pretty easy to remember.
For my professional growth, I set out to have one non-fiction book—related to editing or writing—happening at all times. This one yielded some fun reads. And before you say that there is nothing funny about grammar and "How to Write the More Better Stuff" books out there, I need to stop you. There are some terrific books that are instructional but far from boring (even for those who hate grammar rules). I firmly believe that reading books geared toward the writing craft helps my editing.
Copy editing deals with the hard and fast rules more often than not—the nonnegotiables, as I think of them—so a quick search through The Chicago Manual of Style, Merriam-Webster, the Associated Press Stylebook or similar books will yield answers without much fuss. Commas, punctuation, common spellings, even UK v. US styles . . . all very black and white.
However, line editing is slightly different and involves sentence structure, POV inconsistencies, awkward phrasing, clichés, verb tense, ambiguity, and more. This is where the writing books come in handy for me. The more I know about why sentences are constructed in a particular way for a particular purpose, the better I become at spotting when something is "off." This not only makes the editing itself more thorough, but it also speeds up my work process as I become more adept, and errors sort of jump out at me. I also may or may not get a teeny thrill when I catch something particularly tricky.
One of my favorite books from 2017 was It Was the Best of Sentences, It Was the Worst of Sentences by June Casagrande. This is, as the subtitle claims, "a writer's guide to crafting killer sentences." The book is practical but filled with good, sarcastic, wicked sass, and that's one of two reasons I loved it. The second reason is that the writing advice is as solid as they come. It covers a lot of ground but never gets boring. Casagrande has a handful of books out there I plan on working my way through, including Grammar Snobs Are Great Big Meanies: A Guide to Language for Fun and Spite. I'm a sucker for a great title.
The New Well-Tempered Sentence: A Punctuation Handbook for the Innocent, the Eager, and the Doomed by Karen Elizabeth Gordon is also a favorite of mine, though not technically one I read in 2017. Again, like Casagrande's book, it's filled with humor while not compromising on solid information. Where else can you find a chapter on serial commas that includes the following example?
She attended the wedding feast in her Buster Brown collar, her water moccasins, her spring-loaded pelvic girdle, and her coiffeur's interpretation of Medusa at the Mardi Gras.I also own another book by Gordon, The Deluxe Transitive Vampire, which looks promising but which I've not yet gotten through. It is set up as a gothic narrative with a cast of characters that includes a vampire (of course), bat, wolf, pizza chef, mastodon, and more. I don't see any reason why this book shouldn't be a win.
I finally got around to reading Stephen King's On Writing: A Memoir of the Craft, which has been read by probably every writer out there, and a great many non-writers who simply like Stephen King. I didn't know what to expect from this and was almost overwhelmed by how much I enjoyed it. I used to love reading his books when I was in college and then somehow got away from them as life got busy, marriage and kids took over, and my reading tastes shifted. But the autobiographical portion of this one rekindled my desire to read his stuff, and the writing advice portion of it was just so practical and no-nonsense that it made me want to write a book. If you happen to be in the .001% of the population who has not read this gem, I suggest you get your butt to the bookstore.
I'm currently in the middle of Building Great Sentences: How to Write the Kinds of Sentences You Love to Read by Brooks Landon. This one is slow going for me, probably because I've now become spoiled by funny, entertaining writing/editing books like the ones mentioned above. However, I'm persevering through this one, because it's actually good. It's just not entertaining, which doesn't diminish the kind of writing advice it includes. At first, I found it ironic that the subtitle talked about the kind of sentences I "love to read" but the sentences I was reading in it were not as lovable as I'd expected. I don't agree with 100% of his advice, because he seems to be a lover of longer sentences, and I imagine his more devoted followers might lean toward purple prose if given the opportunity. However, I have to admit the sometimes-tedious detail he goes into when deconstructing sentences for analysis is helpful when all is said and done. He even says, at the end of an exercise on page 93, "We do not actually think like this when we write! This is a highly artificial and arbitrary exercise, but there is no better way to internalize the various logic patterns available to the writer who knows how cumulative sentences work." So let me say that I do recommend this one, but know what you're in for when you pick it up.
I've shared some of my favorites with you in this post. Part 2 will be focused on your favorites, and the books I've seen recommended over and over again in writer and editor groups. So if you would, please drop me a line at lyndadietz4@gmail.com and tell me what your favorite writing books are, and why. I'll gladly include them.
Thursday, November 16, 2017
Honk If You Loved It! . . . And Even If You Didn't
As I interact with more authors, whether personally or through Instagram, Facebook, or Goodreads threads, I've noticed a conversational theme which crops up over and over. Reviews: good, bad, ugly, or worse—nonexistent. The push for reviews on Goodreads has become so desperate for certain authors that my last post was all about why I don’t want to be asked by yet another stranger if I’ll read and review their book.
Most authors depend on reviews to promote their books to others. Some use them as feedback in order to learn what they might be doing wrong so they know how to improve their writing. Some really strong-willed authors claim to never read reviews, no matter what, because it's not going to change anything they do in the future.
I have issues with those who claim to "never" read reviews, so I'm just going to be honest: I don't believe you. I think you secretly read them and pretend you don't care.
Although most, if not all, authors write for the pleasure of it and the satisfaction involved with the whole creative process, I can not believe there are more than a handful of them—think Stephen King, J.K. Rowling, and those who get bajillions of reviews that don’t affect their sales one whit—who truly don't give a rip about whether someone likes and appreciates their efforts or not. If you don't care, then why are you publishing your books at all? Why not write them and put them in a special place in your home where nobody will find them until you're dead and gone? Like the basement freezer (in the middle of a block of ice, of course); sealed in a ziploc bag & buried the backyard; in your septic tank; in a wall safe behind your mother-in-law's picture. There you go: four perfectly safe, hidden-maybe-forever places where your special art can remain concealed, untainted by the eyes of others. Don't thank me for the ideas; just use them. But only if you really, really don't care.
The other 99.8% of those who write creatively do so because they want to share their ideas with the rest of the world. I'm so glad they do, because I need more creativity and imagination in my life. They give me color and nuance in a way I can't come up with on my own. They make me think of things in a totally different way. They make me smile, and they make me cry. And sometimes they make me crazy.
These are the authors who may not live for reviews, but they do thrive on them. One author on a Goodreads thread mentioned that he'd rather have more reviews of all levels than only a few that are all five-star. To leave a book review tells the author you've not only read their book but have taken the time to let them know you appreciated it . . . or didn't. Either way, it tells them you've paid attention somewhere along the way.
I leave reviews for specific reasons. Obviously, if I've enjoyed a book, I want to let the author know. I'm pretty sure most people enjoy being complimented when it's sincere. I'm not a flatterer. If I like you, I'll tell you. If I don't, I'll avoid you but will still be polite if I can't avoid you. I can be tactful if I need to be . . . and uncomfortably blunt, also, as long as I remember to be kind while doing so.
I've left some pretty scathing reviews on Amazon. I've been accused (by someone claiming to not be the author, of course) of being a cheapskate and expecting superb literature for under three dollars. I've been chastised by disgruntled friends of authors for "never" giving good reviews. I've been told to "get a life" by the same not-author who called me cheap. None of those things is true. I just firmly believe in warning book purchasers if a novel is a piece of garbage. It has nothing to do with my personal taste in books, but whether a book is well written, makes sense, and is the best work the author can do.
A newer author will never realize what he or she is in need of learning if readers don't leave reviews. They shouldn’t rely on readers as writing coaches, but if they’ve missed something along the way to publishing, a reader will let them know. In this era of e-books, sales don't always mean your book is loved by one and all. Someone could download it for free or cheapie-cheap and delete it without finishing, because it was very little investment in their resources. Some sites won't allow an author to promote on them unless a minimum number of reviews are logged on either Amazon, Goodreads, Barnes & Noble, or other places. A good author, whether new or not, needs the encouragement to keep writing.
Read it. Review it. The authors worth their salt will appreciate it. They really do want to know what you think.
~~~~~~~~~~~~~~~
If you like what you're reading, I invite you to fill out the "Follow by Email" widget in the column on the right. You'll get my amazing insights right in your inbox! How thrilling is that? Or you can follow me on Instagram (as easyreaderediting) for completely different content—check out all that stuff on the upper right of my page where the Instagram feed is scrolling merrily along. I also have an Easy Reader Editing Facebook page I'd love for you to like and follow. I'm on Google+ as myself (Lynda Dietz) and my "follow" badge is . . . you guessed it, right there in the right-hand column for you to click. I try to share different things in each place so life doesn't get predictable and boring, and you never know what you'll find—or whether I'll be sharing YOUR posts, too.
Thursday, November 2, 2017
Please Don't Ask Me to Read Your Book
I'm an editor for indie authors. As such, I recognize how difficult it is for some of them to get book reviews on Amazon and Goodreads, so I'm careful to always leave a review when I read a book. If it's great, of course I want others to enjoy it, and if it's terrible, I want to warn people to save their money and time.
Most of my reviews tend to be favorable because I have a general idea of what I'm picking up before I start, either from friends' recommendations or my own pre-purchase research. Even if a book is cheapie-cheap, I'll still read the negative reviews to see if they mention anything that's important to me. I don't usually bother reading very many positive reviews, partly because so many reviewers include spoilers without realizing it, and partly because I expect a book to be good. If someone thinks it's not good, I want to know why.
People on Goodreads ask for reviewers all the time. This is a dubious practice, and "officially" there is to be no review swapping (because those boil down to give-me-five-stars-and-I'll-give-you-five-stars) but still . . . authors are constantly pimping a free e-copy if someone—anyone!—will pleasepleasepleaseprettyplease review their book. (Author Gisela Hausmann has a great post, "What Authors Can Learn from Car Salesmen," that gives some great tips on how to not beg/sound desperate.)
So when people ask for reviews on GR . . . if I haven't offered (and I'm obviously very active there) then I am not interested. Why am I not interested? After all, I do love reading and I always review what I read.
Well, in a few words, here's why. By asking me to review your book, you are putting me in the position of either looking like a jerk by saying no because I:
- don't have time
- saw the reviews and know I won't enjoy it
- know from experience that most who ask on random forums have books with numerous issues, and I will be put into the uncomfortable position of saying it out loud
Or I say yes to be polite and then am forced—because I won't say yes and then not do it—to read and pay attention to details I might otherwise not. It's weird . . . I naturally remember details of books I've chosen to read, but have to concentrate on books not of my own choosing. Perhaps it comes from the occasional assigned reading at my day job, where we are expected to discuss what we've read. If I have to read a book someone's asked me to read, I read it as an editor, and can't shut that off. This is an odd curse, but that's what I deal with.
Dear stranger, basically you are asking me to work for you without being paid for it, and I have wasted a lot of time and energy doing things like this that I later regret. As a freelancer, I do a fair number of free evaluations for writers, and if they hire me, that's great, but if they don't, it's hours put in that don't pay off. It happens, and it's part of the free eval package.
Those ones I don't mind nearly as much, except for these stats—the ones who don't hire me are typically broken down into these portions: 10% are people who simply choose someone else—a better fit, for example, of a British editor for a UK writer, or those who are truly shopping around and looking for the best price, fit, and timing on the calendar—and the other 90% are people whose manuscripts are nowhere near ready for editing, much less publishing.
Those 90% still get the same thorough editing eval as anyone else, because I believe in being fair, and I want to be as thorough in my explanation as possible when I'm telling someone their book is not ready for editing. Perhaps I could be mean about it and simply tell them it's not ready, but if they don't know why, then it may never be ready. Or they'll find an unscrupulous editor who will take their money, fix misspellings and typos, and never tell them how bad the overall writing actually is.
Unfortunately, in my experience, many of the "read my book for review" people are still in the second-draft phase and don't know it because they've already gone and published. So yes, I'm being asked do work for them for free, even if they're not aware of it. I even added a (hopefully polite) "please don't ask me to read your book" portion to my Goodreads profile, because I get a slow-but-steady flow of requests that wax and wane around the timing of my posted reviews, and I always feel so uncomfortable when answering. I hate to be rude, but on the other hand, they're not exactly being polite by asking a stranger to do them a favor when there's been no previous relationship.
What are your thoughts on the "please read my book" crowd? I'm not looking for everyone to necessarily agree with me, but would genuinely enjoy your input on this one.
*****
If you like what you're reading, I invite you to fill out the "Follow by Email" widget in the column on the right. You'll get my amazing insights right in your inbox! How thrilling is that? Or you can follow me on Instagram (as easyreaderediting) for completely different content—check out all that stuff on the upper right of my page where the Instagram feed is scrolling merrily along. I also have an Easy Reader Editing Facebook page I'd love for you to like and follow. I'm on Google+ as myself (Lynda Dietz) and my "follow" badge is . . . you guessed it, right there in the right-hand column for you to click. I try to share different things in each place so life doesn't get predictable and boring, and you never know what you'll find—or whether I'll be sharing YOUR posts, too.
Friday, November 18, 2016
Better Late Than Never: It's a Book Review!
So hey, apparently I forgot that I
Since I had nothing but a couple drafts sketched out and nothing
Today I break all the rules to bring you a brief review of Tuck Watley:
I should preface this by saying that I almost never get the time to read for the sake of reading. And reading is my default "what to do when there's down time" activity, so I don't waste time reading crappy stuff. Anymore, I don't bother continuing a book unless I'm completely captivated by the first chapter.
I should also say that being a book snob doesn't mean I only read classics. I'm a snob in the sense that I won't waste the effort on a poorly written novel, or one that's lacking in creativity. I'm definitely not a snob
But this
Tuck Watley is, as best I can gather, an idiot. But no, he's a genius. Or lucky. Or I don't know what. Just when you think he can't be any more of an inept boob, he comes through with the solution to what's troubling America and solves a case in the most unlikely way.
Tuck works in government surveillance—protecting the American people from
I can't go into details without giving spoilers, but I have to say that this was a book I had a hard time reading without laughing out loud, or trying to read portions of it to whoever was sitting near me
These guys are hilarious. I already knew that from their blog, A Beer for the Shower, but after reading Tuck Watley, I have even more respect for the fact that they know how to express themselves not only in a short web-comic a couple times a month, but for the long haul of a full-length novel. Anyone can have a funny one-liner, but what really impressed me was that I did not stop laughing from page one all the way through the end. Yes, some of the jokes were totally juvenile, but you know what? They were still stinkin' funny, and mostly because of how cleverly the writing was done. And I have to add, of course, that as an editor, I was overjoyed to read something that was edited well in addition to being written skillfully.
This is the first book I've read from Meyers and Pedas, but it certainly won't be the last.
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