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Showing posts with label punctuation. Show all posts
Showing posts with label punctuation. Show all posts

Thursday, May 18, 2017

Editor's Notes #32: Inner Dialogue & How to Punctuate Thoughts


Punctuating dialogue has so many rules, depending on whether there are dialogue tags, split sentences, spoken words, or internal thoughts. Most of the rules are hard and fast, but there can be a little bit of flexibility when necessary.

As with any guidelines that allow for exceptions, the key is to be consistent. There's nothing more confusing than a lack of consistency, and nothing that will turn your readers off more quickly by pulling them out of a story.

My partner in crime, S.K. Anthony, covered all the how-tos of punctuating spoken dialogue in her article "How to Correctly Punctuate Dialogue for Novels" (aptly named, eh?), so if you'd like to know how to . . . um . . . correctly punctuate dialogue for novels . . . then pop over to Writers After Dark and read all about it. As for me, I'm going to tell you what to do if the dialogue is all in your character's head.

So here are the basics, and the POV you're writing from can help you decide which is best for you with relative ease:

Most people will write a character's thoughts in italics, either with or without a dialogue tag. It makes sense because the italics set off a visual cue in the reader's mind that we're hearing thoughts, not spoken words. The sample using omniscient POV uses a dialogue tag, since the reader needs to know who's doing the thinking, and the omniscient point of view gives you a little bit of everyone while keeping the author as the dominant voice.
I don't understand, Lynda thought as she looked around the kitchen in a panic. Why would Kat have eaten all my brownies without telling me? And to think I was going to surprise her with them for breakfast! 
Kat walked in, empty coffee cup in hand. "Heyyy, 'sup? Any of those brownies left for breakfast?"
You don't need the dialogue tag for regular third-person POV, since it will be clear who's speaking and whose thoughts are happening.
"G'morning." Kat yawned, holding out an empty coffee cup and glancing around the kitchen. "Any brownies left? I couldn't stop thinking about them last night."
Like you don't know. Unless you're a sleepwalker . . . and a sleep-eater. "Well, I was going to ask you the same thing." 

You could also do this exact exchange with no italics, and it would still be clear because of the POV. All it needs are a few tweaks in the verb tense.
"G'morning." Kat yawned, holding out an empty coffee cup and glancing around the kitchen. "Any brownies left? I couldn't stop thinking about them last night."
Lynda looked as baffled as she felt. Like Kat didn't know. Unless she was a sleepwalker . . . and a sleep-eater. "Well, I was going to ask you the same thing." 
There's an additional complication, though, in certain instances when characters communicate telepathically. In Alex Cavanaugh's CassaSeries (CassaDawn, CassaStar, CassaFire, CassaStorm) the Cassans have the ability to communicate this way. Cavanaugh does a nice job of differentiating the types of thoughts. If a character is simply in his own head, then there are no italics or dialogue tags. If two characters are sharing thoughts with each other, italics come into play.

Two important things to remember:

  1. NEVER use quotation marks for internal dialogue of any type. They're reserved exclusively for spoken words and will only confuse the reader if you add them anywhere else.
  2. Be consistent, whether you're using italics with a tag, italics without a tag, no italics and no tag, or a mixture as in the book series mentioned above.
So what do you think, folks? Did you learn anything today? Did you already know it? It's entirely possible that you just don't care, because you're never going to use ANY dialogue in your book—and I would love to read a book that used only clicks, grunts, shrugs, eyebrow raises and elbow nudges to communicate, don't get me wrong—but I doubt any of you currently have that as your WIP. 

I hope.





Thursday, March 23, 2017

Editor's Notes #29: Apostrophes v. Plurals




I think apostrophe placement is sort of like spelling: you either have the gift of it or you don't. This is not to say it can't be learned, but let's face facts and say that most people who don't "have it" will probably struggle their entire lives with whether or not to use one—and if so, how.

Here's the basic rule:
The apostrophe's primary job is to form a possessive
or
to stand for missing letters in a contraction.
Why do so many people get it wrong?

I firmly believe—and this is based on zero scientific evidence, mind you, but you are likely to agree with me here—people who misuse apostrophes figure they're going to add a little flair to their words to . . . "fancy it up," so to speak, in the same way some try to speak more formally by using the word "I" instead of "me" in their sentences, regardless of whether it's correct or not. This usually results in such conversation as, "It's been a splendid time in Paris for her and I." The written equivalent for these fancified people would be something like We drank many fine wine's and went on numerous tour's.

While looking up information on this phenomenon, I saw it mentioned as the "greengrocer's apostrophe" more than once. (Picture BANANA'S on sale.) Perhaps grocery stores are the ones who made the error commonplace for so many others, because many people are under the assumption that any printing posted for public use is automatically correct. Many of us can attest to this being false as we look around our cities and towns and shake our heads in dismay. My city, in fact, has a bar which advertises itself as YOU'RE NUMBER ONE NIGHT SPOT, right up there on an expensive, lighted sign for all to see. Well, I'm flattered, but I was unaware that I was the number one night spot. Don't tell my husband.

We can't base our apostrophe use on things like "I think it looks good" or "it seems to me that I've seen it this way" when we should be weighing in with the "because it's correct" factor. There are hard and fast rules that need to be followed.

  • When forming a possessive, the apostrophe goes at the end of a noun, followed by the letter "s":
    • The girl's coat fell to the floor. [One girl, one coat.]
  • If the possessive is a plural noun, the apostrophe goes after the "s":
    • The girls' coats fell to the floor. [More than one girl, more than one coat. Notice that "coats" is a plural and has no apostrophe.]
  • When forming a contraction, the apostrophe takes the place of the missing letters:
    • The girl's coat's dirty from falling on the floor. [One girl, one coat, and the apostrophe is used in the contraction for "coat is" dirty.]
  • Or how about this?
    • The girls' coats' mud was falling off in clumps. [This is a ridiculous sentence, although it is technically correct. More than one girl, more than one coat, and the mud that belongs to the coat. You're best off rephrasing the entire thing for clarity.]
  • Never use an apostrophe for a plural, especially when dealing with abbreviations or numbers:
    • The 1920s were a roaring good time for all. [All the years included in that decade.]
    • There were so many CDs to choose from and only so much cash in his wallet. [It bears noting that Blogger keeps trying to force me to put an apostrophe here, much in the same way MS Word will "correct" your grammar to the point of gibberish. But that's for a future post.]
  • Feel free to use an apostrophe with numbers or abbreviations if they're possessive:
    • The DJ's speakers had too much high end, making them painful to listen to. [The speakers belonging to the DJ.]
    • I have to say, 1987's recording artists were a mixed lot. [The recording artists "belonging to" the year 1987.]
  • Also feel free to use an apostrophe with numbers or abbreviations if they're part of a contraction:
    • The DMV's known for taking some awful photos. [Used here for "DMV is."]
    • Overall, 1989's a year I'll never forget. [Used here for "1989 is."]
  • There are some tricky areas, though, and here's where a nice, thick Chicago Manual of Style comes in handy:
    • No apostrophe is needed in the word "how-tos," even though, once again, Blogger and MS Word will try to tell you otherwise.
    • No apostrophe is needed in the phrase "dos and don'ts" other than the apostrophe in the contraction for "do not."
    • No apostrophe is needed for "ins and outs" and other similar phrases.
  • Aaaaaaaannnnnd it would not be the English language if there were not exceptions to the rule that seem completely in opposition, such as this gem:
    • It's = it is. Simple enough, because it's a contraction. But . . . 
    • Its = the possessive form of "it." A possessive which does NOT use an apostrophe, which seems to fly in the face of all we've been talking about. Just memorize it and you'll be fine.

Use these examples the next time you're in need of a little help when using apostrophes and plurals, and anyone who reads your writing (including your editor) will mentally shoot you some instant credibility for your diligent work—and a huge "thank you."

Happy writing!